For the composer, life is how the past and the future connect. Glass’ new memoir, Words Without Music, looks back on his childhood, travels through Asia and when his music provoked violence.
The opera, based on the tumultuous lives of painters Frida Kahlo and Diego Rivera, coincides with a new exhibition at the Detroit Institute of Arts devoted to the year they lived in the city.
The show’s distinctive score is the work of Jeff Beal, who ushers viewers into its clandestine, manipulative and sometimes violent world by breaking a few musical rules.
The Dallas Street Choir recently performed to a sold-out house. The group, comprised of homeless people, sang with renowned mezzo-soprano Frederica von Stade.
British choral group The Sixteen sings new settings of the Stabat Mater. Director Harry Christophers says the ensemble was looking for “something that was very spiritual, very mystical.”
How about some good — even great — news from American orchestras? Today and tomorrow, four of the country’s biggest ensembles are playing world premieres by prominent composers.
A year into the siege of Leningrad, a haggard group of musicians defiantly — and improbably — performed Dmitri Shostakovich’s Symphony No. 7, which was dedicated to the suffering city.
This past weekend was a big one for orchestras in Massachusetts. On Saturday evening my colleague John Nowacki gave his first pre-concert talk for the Springfield Symphony Orchestra and was witness to a season opening concert he called splendid and “breathtaking.”
The 35-year-old Latvian conductor brings a sincerity and enthusiasm to his position, marking the end of a three-year period of uncertainty for one of America’s oldest and most respected ensembles.
The Pacifica Quartet explores the world of Soviet-era composer Dmitri Shostakovich. Watch the group play selections from his introspective cycle of string quartets.