What makes us like a new piece of music?

Date: 
12/02/2012
Contributor: 

I listen to tons of new music.  It's my job; it's also my pleasure.  Not just classical, either.  There I am, every Saturday morning, lined up at the new release troughs at Newbury Comics and Turn It Up.  I never come away empty-handed.  Then, there's Spotify, Rhapsody, Pandora and, best of all, personal recommendations.  It doesn't take much to get me to try something.  You could be a friend, an acquaintance, or a perfect stranger.  Tell me to give it a listen, and I usually will.  What fun!

Not that I like everything I hear.  I'd say that if I hear a hundred new things in a month, about ten will get a second listen, about five will enter my collection, and one or two will become favorites.  What distinguishes those one or two?  I could empty the thesaurus of such adjectives as entrancing, appealing, alluring and mesmerizing, but they don't quite get at it.  There's something in the music I love that reaches me deeply, tells me a story, and immerses me in a unique soundworld that's fun to visit.  It's inviting, rewarding, perhaps challenging, but the challenges aren't work, they're play.  It's got personality, stands out from the crowd , and doesn't mind risking excess — better that than caution any day.

But rather than go on, I'd rather you tell us what you want in a new piece of music.  Please add your criteria to the conversation.  And if you can point out a few examples — well, we could all use some good new sounds to check out!

Comments

Stephanie Blythe

Dear John:

Thank you so much for finally playing something by Stephanie Blythe, and it was one of my favorites. I'll be at the cinema tomorrow to see Un Ballo en Mascera and hear Stephanie. I don't know this opera, so am looking forward to it. I love Verdi's ensemble singing opportunities. (And Joyce Di Donato can sing  from now until St Swithesn's Day and she will never achieve the beautiful rich tone that Stephanie has. There is a great deal of difference between emoting and singing with passion. Someting which Stephanie knows.)

Carolyn Innes

Stephanie vs. Joyce?

Dear Carolyn:

I'm glad you enjoyed the Stephanie Blythe selection, and hope you also enjoyed "Un ballo."  But there's no reason to criticize Joyce DiDonato in order to praise Blythe.  Yes, they're both labeled as mezzos, but otherwise could not be more different singers.  They don't even sing the same roles.  DiDonato doesn't sing with passion?  You should give her a fresh, unbiased listen.  In my opinion, they're both fabulous.

Happy listening,

John

what I like...

...I don't know often, until I hear it.  The Schnittke trio a few weeks ago...loved it.  The audience did not.  I think it was the moment in time.  The same holds true for the Ives Piano Trio a few years ago.  Also, hearing Dave Holland play at Tanglewood 3 years ago...another I don't know why, but I loved it.  I did not enjoy hearing him with a smaller ensemble a few years later.

I'm finally enjoying Radiohead and C. O'Riley's piano transcriptions.  There is very little of Phillip Glass I do  not like.  I think his music is getting better.  I want to like Schoenberg/Berg/Webern...but, so far, no luck.

I never liked what I hard of Gottshalk until I heard some lovely piece on Pandora.

Ades, The Tempest worked for me, although, other than the lovely trio near the end, there was very little melody.  Meredith Oates' was outstanding; it made the music more appealing.

I loved this, but the dance had a lot to do with the pleasure of it:  http://www.vertigo.org.il/eng_mana/eng_index.html

Free associating...I'll stop.

 

Check out Chris Forsyth - Paranoid Cat

Some great droney psychedelic rock!

Listen to us on: 88.5 FM Amherst / Springfield / Hartford | 101.1 FM Adams / North Adams | 98.7 FM Great Barrington | 98.3 FM Lee | 106.1 FM Pittsfield / Lenox | 96.3 FM Williamstown | AM 640 all-news WNNZ, Westfield | 91.7 FM all-news WNNZ, Deerfield | 89.5 FM all-news WNNU, Southern Berkshire County | 88.5-HD WFCR in HD | 88.5-HD2 all-classical in HD