I awoke the other morning out of a Zoot Sims dream. The tenor saxophonist was sitting in with a group of friends who were playing […]
Word has arrived of the passing of Phil Woods. The great saxophonist wrote earlier this year that “my improv powers are declining along with my breathing,” and he announced that a concert he played a few weeks ago in Pittsburgh would be his last. Alas, he died today at the age of 83.
The King of the Blues had a profound influence on all who saw him perform, including New England Public Radio’s Tom Reney. This podcast is a look back at BB King’s career and influence, with some samples of his wonderful music.
I remember just where I was when I first heard Swiss Movement, the concert album by Les McCann and Eddie Harris recorded at the 1969 Montreux Jazz Festival. I was with a group of friends, mostly high school classmates, and we were skipping school.
Joe Albany wasn’t the first seeker to find his true voice in jazz, but he was among the more forthright about what the music meant to him. In the 1980 documentary, Joe Albany: A Jazz Life, he puts it in both spiritual and psychological terms.
On JazzBeat, Tom Reney focuses on the Newport Folk Festival fifty years ago, when the Paul Butterfield Blues Band brought the electric blues to Newport and Bob Dylan followed suit.
I remember the exact moment during my junior year in high school when I first heard Muddy Waters, but I’ve forgotten just when I got my first taste of Muddy’s main man, Son House. Muddy’s great band with Little Walter and Jimmy Rogers floored me right away.
In 2002, I was given the plum assignment of selecting the material and writing the liner notes for a Sonny Rollins anthology of RCA Victor recordings called Tenor Titan. I was limited to an hour’s worth of music, but even if I’d been granted the full 75-minute capacity of a CD, the task would have been daunting.
Art Pepper was born 90 years ago today. The saxophonist’s life was scarred by violence, ravaged by drug addiction, confined by prisons, and restricted by parole requirements that prevented him from leaving California for decades. Pepper came to prominence in the early fifties, but he didn’t play New York as a leader until 1977.
Louis Armstrong appeared in Copenhagen, Denmark in 1933, and the film made then is one of the earliest records of Armstrong’s live performances. It forms an invaluable touchstone for jazz scholarship. Tom Reney explores Louis’ stage personas and samples some music from that Danish appearance.