Barney Kessel was one of the best jazz guitarists of all time. This podcast is a look at his story and his style, with some great music mixed in.
New England Public Radio’s Tom Reney reflects on jazz singer Sheila Jordan and the quality of her recent performances.
“If you don’t love him, I don’t think you really know how to love.” Mahalia Jackson on Louis Armstrong I assume the Danes who filmed […]
July 25th marked the 50th anniversary of Bob Dylan going electric at the Newport Folk Festival. The milestone is being widely commemorated, and it follows the sale two years ago of the Fender Stratocaster he played that Sunday night. Elijah Wald’s new book, Dylan Goes Electric: Newport, Seeger, Dylan, and the Night That Split the Sixties, tells the story more accurately and contextually than any previous renderings.
Saturday marked the 50th anniversary of Bob Dylan going electric at the Newport Folk Festival. The milestone is being widely commemorated, and it follows the sale two years ago of the Fender Stratocaster he played that Sunday night, July 25, 1965.
What a pleasure it was hearing Sheila Jordan this week at the Northampton Jazz Workshop. She’s nearly 87, which she makes no secret of, and why should she? Sheila’s a bonafide survivor: of a harsh, Depression-era childhood shuttled between her teenage mother’s digs in Detroit and her grandparents’ home…
I didn’t see Ornette Coleman until 1971 when he played the Saturday afternoon program of the Newport Jazz Festival with his old comrades Dewey Redman, Charlie Haden, and Ed Blackwell. It was fortuitous that he shared the afternoon bill with Eubie Blake, Willie “The Lion” Smith, Freddie Hubbard, Charles Mingus, and the New York Bass Violin Choir, for that evening a riot interrupted Dionne Warwick’s performance of “What the World Needs Now” and the festival came to a crashing halt.
I enjoyed a conversation about the recently deceased Gunther Schuller over lunch with my former NEPR colleague John Montanari on Tuesday. (Click here for my memorial to Gunther.) A few hours later, I heard the Jazz at Lincoln Center Orchestra’s concert at Tanglewood, which Wynton Marsalis dedicated to Schuller’s memory.
Sometimes even a glimmer of open-mindedness can spell good fortune. For a preternatural cool cat like Hampton Hawes, it took the form of allowing himself to think that the man he watched deliver the Inaugural Address on January 20, 1961, had “soul and might listen.”
Leonard Feather, one of the most powerful critics in jazz history, declared Hank Mobley “the middleweight champion of the tenor saxophone” in his liner note essay for Hank’s 1961 release…