Count Basie begins his autobiography, Good Morning Blues, with the story of how he was pleasantly roused from a sleep-it-off hangover by Walter Page’s Blue Devils playing outside the rooming house where he was staying in Oklahoma City in 1925.
Is there a little tension between Dizzy Gillespie and Sonny Stitt at the beginning of this concert? Does Dizzy tell Stitt to back off during his solo on the opener, “Blues After Dark”?
As I watched Ricky Jay’s amazing sleight-of-hand in the new documentary Deceptive Practice: The Mysteries and Mentors of Ricky Jay, I thought about Charlie Parker’s reputed ability to roll a cigarette with one hand. Bird’s dexterity lent itself to the title of one of his tunes and continues to inspire awe in virtually everyone who hears his music.
Horace Silver’s “Song for My Father” was recorded by the quintet he formed in 1964. It was inspired by and dedicated to his father, who […]
There’s a memorable scene in the documentary A Great Day in Harlem between Benny Golson and Horace Silver. Golson tells Silver about the many nights […]
Here’s the John Coltrane Quartet playing “Alabama” on Ralph J. Gleason’s public television series, Jazz Casual. Coltrane composed the elegy in commemoration of the four girls murdered in the fire-bombing of the 16th Street Baptist Church in Birmingham on September 15, 1963.
In the speech he gave before the Lincoln Memorial at the March on Washington in August 1963, Martin Luther King, Jr., employed the refrain, “Now is the time.” Was he inspired by Charlie Parke
Adam Gopnik’s New Yorker review of Terry Teachout’s Duke: A Life of Duke Ellington includes the outlandish charge that Duke “played no better than O.K.
January 10 was Max Roach’s 90th birthday anniversary. I met Max around 1977, and two years later brought him to Worcester for the first solo concert of his career. I was awes