What are the odds that on the day Rudy Van Gelder died, I’d already scheduled for Jazz à la Mode an album– Wayne Shorter’s Adam’s Apple– that was recorded at his studio?
Notwithstanding his promising start on the hotly competitive New York scene, Smith left after three months with Silver to begin a career as a teacher, first in the public schools in Atlanta, then on to his alma mater Tennessee State University, and finally to the University of Michigan, where he taught music and served as band director.
Bobby Hutcherson died on Monday, August 15 at his home in Montara, California. He was 75 and had battled emphysema for several years. McCoy Tyner […]
As listeners to Jazz à la Mode know, Rene Marie is one of the most frequently heard singers in the show. I usually need to […]
Max came to prominence as a counterpart to Dizzy Gillespie and Charlie Parker in the development of modern jazz, and he may be the most influential drummer of all time. To watch Max play the trap set, which he preferred calling a “multiple percussion unit,” was to behold a marvel of human agility and inventiveness.
Benny Golson, whom I had the pleasure of interviewing on July 25, said he was profoundly affected by the experience of seeing Lionel Hampton’s Orchestra with […]
Yesterday was Kenny Burrell’s 85th birthday. I heard him first on Jimmy Smith’s Back At the Chicken Shack, and first heard his great original “Chitlins Con […]
Known by the dual nicknames Rabbit and Jeep, Hodges’s admirers were a diverse lot. John Coltrane, who began his career playing alto saxophone, cited him as his first influence. He was also a sideman in Hodges’s band in 1953.
Ah, but Pops knew to leave us always wanting a little bit more!
Lee Morgan and Wayne Shorter, two of the most incisive and arresting soloists in modern jazz, made for one of the greatest trumpet/saxophone front lines […]