The avant-garde pianist performed original motifs and a free duet with Marian McPartland in 2000.
Cheadle takes on the jazz great in an uneven but inventive film that struggles at times to bring clarity to its idea of Davis but experiments intriguingly with past, present, fact and fiction.
After his First Symphony flopped, the Russian composer made ends meet with a short-lived and little-known career in vaudeville and the circus.
Born in Lebanon and raised in France, trained in both Western classical and traditional Arabic music, the trumpeter has always bridged worlds. He puts a jazz spin on the Arab world’s most famous star.
The show explores the life of the jazz saxophonist, with Lawrence Brownlee in the title role. It opens this weekend at the Apollo Theater in New York — a stage where Parker played.
The Mexican-American jazz pianist earned acclaim in New York and Los Angeles in the 1950s and ’60s, but much of his music was never released — until now.
The Mexican tenor has, for the third time, commanded such a tremendous response from the Metropolitan Opera audience that an encore had to be sung during a production.
“We came together to invigorate Erroll’s musical legacy,” says Susan Rosenberg, who inherited Garner’s archive. The project will release unheard material from the pianist and composer.
Forget the stereotypes of machismo and mambo. Havana’s all-female string orchestra, the Camerata Romeu, offers a completely different Cuban musical experience.
Designer and sculptor Harry Bertoia spent the final decades of his life creating mesmerizing “sonambient” music out of big metal objects. An 11-CD collection of his recordings has just been reissued.